The Plate MarkRembrandt · Bartsch 20

Countermark · Bartsch 20 / New Hollstein 170

The “RP” countermark with a trefoil

Recorded in 1 of the 27 located impressions of this plate, and named in no state’s paper list in the catalogue. Everything below is transcribed from the holding institution’s published record or read out of the state atlas. This project has identified no countermark in the sheet it holds.

What the record carries about this countermark

The wordings, verbatim. Where a record gives only a name, this page gives only a name.

Countermark. A smaller secondary mark, often initials, placed in the other half of the sheet from the main watermark. It can identify a particular mill or maker where the main mark is generic.

For this mark the census carries 1 transcription:

  • Countermark: Letters 'RP' with trefoilThe Morgan Library & Museum, RvR 24

No record of this mark on an impression of this plate cites a Hinterding variant, so there is no published variant designation to transcribe and none is supplied. A name without a variant does not narrow a date.

Impressions of this plate that carry it

Every row links to its census entry, and every census entry links to the holding institution's own record, which is the authority.
InstitutionAccessionStateAs recordedSource
The Morgan Library & MuseumNew YorkRvR 24IICountermark: Letters 'RP' with trefoilThe Morgan Library & Museum

The state the catalogue associates it with

The New Hollstein lists the papers it saw in each state. This is that list, filtered to this mark.

None. The catalogue’s paper lists for the four states of New Hollstein (Hinterding & Rutgers, Rembrandt), no. 170 do not name this mark. It is attested here only by the holding institution’s own record of a specific sheet, which is evidence about that sheet and not about the state.

What it would mean if this project's sheet carried this countermark

Stated in the conditional, because the sheet has not been examined in transmitted light and no mark has been observed in it.

It would date the paper, and only the paper. A countermark identified to a mould gives the years that mould was in use. It does not give the year the plate was printed: paper can be stored, and a plate can be printed decades after the sheet was made. Anything stronger than a bound would be an overclaim.

It would not by itself settle the state. The catalogue does not name this mark in any state’s paper list, so there is nothing in the catalogue to match it against. It would be a fact about the paper with no state attached.

The state attribution would still be unconfirmed. The record’s position on this sheet is unchanged by anything on this page: it is catalogued by the auction house as New Hollstein 170, state III of IV; state II is not excluded; the work visible in state III is not Rembrandt’s; and the date this sheet was printed is unknown. The determination that would move it is a specialist reading the line-work against the catalogue’s diagnostic features, not a watermark.

And it would have to be recorded first. Photography with the light source behind the sheet rather than in front of it, so the paper's own structure — laid lines, chain lines, watermarks, thinning, repairs — becomes visible. It is the standard way to record a watermark, and it requires a conservator's judgement about handling. That imaging has not been done, and it is sequenced after a conservator has looked at the sheet’s current housing.

The open question

One of the open research questions asks exactly this — Does the sheet carry a watermark, and can it narrow the period in which this impression was printed? — and records what would settle it alongside the dead ends already walked.

Read it

If you recognise this mark

A correction, a variant designation, or a record of this countermark on another impression of this plate all improve the census, and all are credited by name.

Send it

Where watermark identification for Rembrandt actually happens

Named so that a reader can go to the authority rather than take this page's word for anything.
  • Erik Hinterding, 2006

    Rembrandt as an Etcher: The Practice of Production and Distribution

    Not fully verified — see the bibliography for exactly which fields were confirmed and which were not. · source

  • C. Richard Johnson Jr., 2020

    Decision Trees for Watermark Identification in Rembrandt's Etchings, Journal of Historians of Netherlandish Art

    Verified against a published record. · source

The full list, with the verification status of every field in every entry, is at /bibliography.

The other marks attested in this plate's impressions

All watermarks recorded in impressions of Bartsch 20 →